





Back Cover Plan: Although a typical convention for a digipak is the track list on the back, I have written the contents of my coursework CD. This represents a track list.
CD Slot:


This is my favourite design so far. It is supposed to represent a compilation of several colourful fabrics with "Vampire Weekend" stitched on. Because I am not relating my digipak too much to the promo video, I think that this will be more of a challenge but also present a high result.
The one feature all CD covers have in common is that they include the artist and stand out. This is why I have tried to do this.

The layouts of these digipak are pretty similar. I will use these digipaks as a guideline to help me decide what to design for each panel.


From looking at these, I have discovered the typical Digipak Conventions:
Each Digipak includes the artist name: I already know that this is "vampire Weekend."
The album name: Contra, although, I may not include this on my digipak as it will only include the music video for the song "Cousins."
Images: Because I haven't used the real artist (or any artist at all) for the music video, I am thinking of including photo relevant to the course. For example, images of us working and filming etc..
Record label information: XL Recordings.
I have also noticed that the majority of Digipaks are usually made u using six panels.
The bar chart on the left demonstrates the age group of our viewers. All of our viewers are within the target audience. The majority of people represented through these charts are paged 13 - 17 making up 60% of our viewers.
We also received a total of ten responses from Zoomerang:


From these two images, it is noticeable that a typical convention is the date and time along either the top or bottom. So we decided to superimpose a date over the action. (Chris walking into the office and at his desk.) We also liked the fact that the image on the left was in black and white, but they both also looked a bit grainy. To achieve this, we added the effects of Black and White, but also increased the noise in the images. We feel that this has worked effectively. The reason for using a CCTV was to catch Chris enjoying the music he was listening to for added humour.


The final parts we edited were simple cuts and matching the action to the music. We inter cut the singing with the guitar playing. We also inter cut our special appearances with the final guitar parts. We then made sure that everything was as perfectly synced as possible.
For the finishing touches, we selected a default title from the programme and adjusted its positioning and length of appearance. We also added the transition fade from black at the beginning, and fade to black at the end. This finishes up the music video nicely.
We then exported the music video. :)

The first part of the editing process was to upload our footage to the programme then get rid of all the bad shots in the rushes. This included bad takes, mistakes and inappropriate behaviour from the actors. To make the process easier, we placed the footage in chronological order in correspondence to our storyboard and shot list. This left with our favourite shots in order. In order to refine the music video, we uploaded the song "Cousins" to the programme.
Editing the first nine shots were pretty straight forward, we simply cut the shots and placed them together in time with the music. For example, the bedroom light comes on at the same time as a guitar strums, the next strum is accompanied by Chris sitting up.
After these, there was the shower scene. First of all, the footage needed to be sped up because Chris is quite slow moving which isn't good considering we wanted a fast paced action to match the music. We used the timescale tool for this and shrank the footage so that it played faster. An issue we came across was lighting. Unfortunately, whilst Chris was getting changed into his work clothes, the lighting had changed so that it was clear where we had paused the camera. To resolve this we decided to apply the colour correction effect. There is still a slight vi sable change, but it is a vast improvement to what it had been before.
The clothes montage was quite simple to edit. After selecting our favourite takes we matched each outfit change to every other click during that particular verse. Each shot of an outfit lasted roughly the same time and similarly to the orange juice spill. We cut short snippets of the takes together to match to the drums. This created a fast cycle through the outfits which I personally feel has worked well.
For the shot with many hands whilst Chris is brushing his teeth, we used the time scale tool. Shrinking the footage made the whole event much quicker which is funnier and fits with the crazy, fast paced guitars.

From there, we took the first snippet from tie one, then the second section from tie two. the third from tie three, the fourth from tie four, the fifth from tie five , the six from tie one and so on.. The result was that each step was Chris in a different tie working exactly to plan. However, it wasn't the speed we wanted so we had to apply the timescale tool exactly the same to each section. This made each part the same and a faster speed making the whole part where Chris walks down the stairs, faster and more energetic.
The next part we edited was the garden scene, for match on action we joined him disappearing through the gate from one side, with him entering it on the other. It was a challenge editing the part where Chris runs through the clothes on a washing line. This is because we had to cut together a tracking shot, a POV shot and wide shot. Because of the movement of the shots, we found it difficult joining them together so that it flowed smoothly. It took a lot of time but eventually, we found the best combination. The other shots in the garden were quite simple to edit; cut and match to the music.
For the running, tracking shots we removed the beginning and end of each take. This was so that we had a consistent speed. Again, we matched it to the music. Unfortunately, at this time in editing, we realised that Chris was not wearing his tie! This dilemma meant that we should either re shoot the tracking shots or create an explanation. Because of the time and success of our tracking shots, we have decided to insert something new.

As well as this issue, we have realised that the amount of footage lasts longer than the song, we need to condense the music video somehow.
Finally, when we began editing the office scene, we realised that the footage was far too dark in comparison to the rest of the music video, we have decided that we will re-shoot this entire scene on our scheduled re-shoot day.

The next part that we filmed was Chris throwing paper up in the air, and using the paper as a transition. We set the camera up using the tripod. Freddie held a piece of paper big enough to cover the lens above the camera and as Chris threw the paper up in the air, Freddie covered the lens with the paper. We stopped recording at this point. This process took a few attempts because the paper didn't spread like we wanted. After we had got this right, Chris wore a bandanna and stood on the desk with a guitar. We placed the paper back over the lens, pressed record and moved the paper to below the camera to reveal Chris rocking to the song. After editing, it should look as though a piece of paper Chris has thrown, floats over the lens and as it comes down, he will be on the desk playing and singing along. 
Bathroom:
This scene was also very fun to do, this is where Chris is doing several activities all at once. The first shot is Chris grabbing a toothbrush from a cup, we did this in one take, just a static, close up. After this we filmed him applying toothpaste to the toothbrush and look at the "mirror." In fact he looks at the camera lens as though it is a mirror and starts brushing his teeth. We set the camera up on a tripod for this part because both Freddie and myself were taking part. We both wore white long sleeved shirts to match Chris' costume although our bodies were out of the shot. I applied shaving cream and brushed his hair whilst Freddie shaved his face (the plastic cover was still on) and hair dried his hair. The first time we did this, we played it back to realise my body was in the shot, this was not good because it was supposed to look like Chris had several arms for humour. Our second attempt worked much better although it would have been even better if there was more space around him. I was stood on the bath and Freddie was leaning in awkwardly from the other side. I am very pleased with how this went.
We then filmed Chris spitting out the toothpaste with the shot being focused on the sink. We then stopped recording and moved to behind the mirror so that when Chris stood up from the sink, his reflection was a cleaned face and winked at the reflection. Spitting out the toothpaste was a close up of the sink from the side, then the mirror shot was level with the mirror and an over the shoulder shot of Chris.
Tie Change:
This part of filming took a very long time. I was looking forward to filming this part most. We had a total of five ties so we knew we had to film Chris coming down the stairs five times in a different tie, each time. It took us a few attempts before we realised that we must have a system that makes sure he walks down the stairs exactly the same each time. Our system was that he must put his right foot on the first step every time, he must keep his left hand on the banister as he comes down every time. Also, to ensure that he came down at the same pace, I sang the ABC, a letter per step.
Like most other shots today, we used a tripod to ensure that the composition of the shot was exactly the same each time.
Leaving House:
From the steps, Chris walked to the front door and as he was about to open it, his wife tapped him on the shoulder. This was filmed in two separate shots. One of which was a pan from the stairs to the front door, this was challenging as there is a large mirror in the room and we had to avoid a reflection, the second was a close up of Gabriella's hand tapping Chris' shoulder.
Kiss:
Next shot we did was from outside of the house, the snow/rain had stopped now. Kneeling on the floor outside, we filmed a static mid shot of Chris's and Gabriella's legs, Gabby's leg lifts up similar to cheesy love films to indicate that they had kissed. This is the end of indoor filming for the day.
Street:
It stopped snowing halfway through filming the indoor parts so we decided to get the street section completed. We were really excited about getting to use our dolly, however, when we attempted to use it, the wheels we used meant that it was really shaky. This is when we decided to shoot the tracking shots using my car.

Whilst I was driving (slowly), Chris was running on the path. Freddie was seat belted in the back and faced the camera out of the window and we drove along side him. Running in different directions, we filmed many shots of Chris running. We also needed Gabriella to play a school girl. We carefully arranged the stunt where Chris pushes Gabriella out of the way so that it happened just as we drove past. It took a few takes but the end result was just as intended. I feel that the car has worked far better than our dolly would have!
Despite not getting everything we wanted to film done, we have managed to catch up with the film schedule ready to soot the garden and office scene tomorrow!

Shower:
This "stunt" required a little more patience. As he was going to be stepping into the shower in his pyjamas and getting out wearing his work clothes we used the tripod to ensure the camera was in the same position the entire time. Firstly, we turned the camera on, positioned it where we wanted then asked Chris to walk into the shower holding the three props (match on action) and fully close the shower door. We then stopped recording, using the remote so that we did not move the camera. Then Chris got out, and quickly changed into a suit and stepped back into the shower. Using the remote again, we pressed record and Chris stepped out and stood in front of the camera and adjusted his suit then walked out. Whilst he was adjusting his suit, we had to pan the camera up so that we could see Chris' body as opposed to his feet. Unfortunately, the first time we did this, we panned up too far ruining the shot. This meant we had to repeat the entire process to ensure that the camera doesn't move during the costume change. Unfortunately, the next time was ruined due to the talent laughing. As the saying goes "third time lucky", the third attempt worked out just as hoped.
Wife:
The next shot we filmed was of Gabriella calling Chris for breakfast in the kitchen. This didn't take long as all we needed to do was shoot her walk to the door (with rolling pin in hand) and hold her hand beside her mouth and shake her head a little. Because there is no dialogue in our music video, body language is needed to tell the story. We were happy with her acting so moved on after a few takes.
Coming to Breakfast:
